Choice of Lens and FocussingLenses are used to change the audience's geometrical relationship to the field of view.
A long shot or telephoto shot from the film Health of a City
A shot from Wealth of a Nation using a regular 55mm lens
FocusThe depth of field - the area in the picture, from near to far, that is sharply in focus on a lens can also be adjusted to influence the way we read the action in a scene. It is worth noting that an additional key attribute that differentiates lenses one from another is the different depths of field they offer: wide angle lenses give deep focus, while long lenses have shallow depth of field. Deep Focus - accentuates the character's relationship to his or her surroundings. Shallow Focus - concentrates the audience's attention on a character's thoughts, or on characters’ developing relationship, or on an important detail. Split Focus - where the focus prioritorises one character over the other.
An example of how shallow focus concentrates out attention on the action from the wartime film Children of the City Pull Focus - adjusting focus between characters refocuses the audience’s attention and allegiances. Links to other pages in this section:
Written by David Griffith, Lead Practitioner in Moving Image Education |
Glow users must log-in using the following link: Shibboleth users can use the following link: Other users log-in entering their username and password below:
|